Five seemingly random story lines intersect at precisely 11:14 p.m. in this innovative drama-thriller written and directed by newbie filmmaker Greg Marcks. Even though they’re strangers, Buzzy (Academy Award winner Hilary Swank), Mark (Colin Hanks), Cheri (Rachel Leigh Cook), Jack (Henry Thomas) and Eddie (Ben Foster) will become a part of one another’s lives — even if it kills them. Patrick Swayze and Barbara Hershey co-star.
First off, Netflix classifies this movie as a thriller. Halfway through, I realized there’s nothing thrilling about it. I liked this movie simply because I like movies that play with time. That’s one reason I loved the Back to the Future series. Why I liked the repeating-day stories of 12:01 (tough as it was to like) and Groundhog Day.
It’s why I liked Go, Vantage Point, and Pulp Fiction, which is similar in its storytelling style in that indie film 11:14 jumps around the same half-hour span, telling different parts of the same story from—for lack of a better term—different vantage points.
Patrick Swayze plays a caring father, even if his actions are misguided. His daughter, played by Rachel Leigh Cook (who doesn’t get a link on Netflix, though I don’t know why), is an out and out bitch. Shawn Hatosy and Hilary Swank have a wonderful chemistry as convenience store employees, one of whom wants to rob the place.
Overall, this movie is nothing new. It’s not very groundbreaking, and its scope is such a tiny microcosm of time—20 minutes tops. And despite good performances by the cast and some cool directing by Greg Marcks and Bree Sharp covering Nancy Sinatra way before Jessica Simpson did, I can’t in good conscience recommend watching it.
Rating: 3/5



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